Dynasty in tashkent school of wood carving: On the example of m.ibragimova's creation

This article examines the role of the Tashkent school of wood carving in the national architectural integration of traditions, the artistic features of the development of the master of the people's Republic of Uzbekistan in the work of M. Ibragimova is highlighted very clearly. Also, the creative activity of M. Ibragimova is studied in detail in the unity of artistic works created on an evolutionary basis.Some works focus on the semantic features of patterns in applied art. However, in the field of handicrafts, the tradition of succession, dynastic issues have-been neglected.In Tashkent wood carving, the “pargor” style is widespread, and the word “pargor” or “pargol” itself is a phrase that fits into a list of patterns rather than style. It means drawn in a compass. For this reason, the circular or circular patterned flowers commonly used in woodcarving and painting compositions are called “pargory”. The doors of M. Ibragimova's building for the Oliy Majlis building were made of palm trees (a type of tree grown in the subtropical zone) imported from Malaysia, which not only served as a traditional decoration, but also met other modern requirements. She designed a carved wall (panel) for the State Art Museum of Uzbekistan. This carved ornament is still preserved. Since 1982 she has been working in the creative group of the Master Association.