Doctoral Student (PhD), Tajic and Literature Department Filology Faculty, Samarkand State University, Uzbekistan
This article examines the poet's methods of interpreting new images, proves them through poetic examples, and highlights the poet's poetic skill in this direction, his masterful use of the arts. The success of Sayfi Bukhari in the poetry of the XV century lies in the skillful placement of new content and images in the traditional form of the ghazal genre. He was one of the first in oriental literature to introduce a variety of professions to the genre of ghazal, thus making a major turn in the ghazal of his time. As a result, the image of craftsmen in the poems of the poet comes to the fore. The article shows that when comparing the contemporaries and predecessors of Sayfi Bukhari's ghazals with examples of creativity, the images he created differed from traditional images. At the heart of this are clarifications on the role and contribution of Sayfi Bukhari in the process of the literary period.
Ghazal, Theme, Image, Novelty, Reality, Skill, Craftsmanship, Literary Environment, Fine Arts
