(PhD) Doctoral Students, Language and Literature, Tashkent State University of Uzbek
* Email id: yulduzmaxammadieva@gmail.com
Online published on 30 June, 2020.
Muhammad Rahimkhan Soni-Feruz has a special place in the formation and development of the literary environment in Khorezm in the second half of the XIX -early XX centuries and has a special place in the history of Uzbek literature. As a great statesman, he sponsored the development of culture and the arts. As a potential poet, he left a rich poetic legacy. The more important the socio-political activity of Muhammad Rahimkhan Feruz the more valuable his poetry, called the "Great Enlightener" the famous orientalist V.V. Bartold. Much work has been done in the study of the literary and social environment of the period, and although many scholars have conducted research, the study of Feruz‘s work requires more research. The study of Feruz's work, his artistic mastery, is one of the urgent tasks of today's literary criticism. The article examines the images in the poems of the king and poet, a representative of Uzbek literature Muhammad Rahimkhan Feruz. Based on the analysis of the poet's poems, the issue of artistic interpretation of the romantic theme in his work is studied. The mastery of the arts, the secrets of the poetic mastery of the artist are covered.
Ghazelle, Classic, Love, Tashbeh, Tanosib, Talmeh, Tazod, Rival, Lover, Beloved