Interpretation of mystical themes in Mirhasan Sadoi and muhammad ghazi’s collection of poems

This article is devoted to the coverage of mystical views and their expression in artistic symbols in the works of Mirhasan Sadoi and Muhammad Ghazi, mature representatives of the Kokand literary environment. In the work of the poet, the views of the orphan and the scope of his subject are covered on the basis of the analysis of a number of poems. Also, the artistic interpretation of the problem of the perfect man is explored. In his poems on the mystical theme of the poet's collection of poems, the artistic perfection of the traditions of the salaf is analyzed from the ideological and artistic point of view.