1Research Scholar Place of Higher Learning and Research, Dept of English, Santaji Mahavidyalaya, Nagpur
2Research Supervisor, Place of Higher Learning and Research, Dept of English, Santaji Mahavidyalaya, Nagpur
*E-mail ID - ankushm1386@gmail.com
Doris Lessing’s Canopus in Argos: Archives series offers a compelling space through which one can interrogate the intersections of gender, power, and cultural renewal. This paper argues that Lessing uses speculative allegory to rethink the dynamics of gendered hierarchies, transforming the traditionally masculine-coded domain of science fiction into a site of feminist reimagining. Focusing on Shikasta (1979) and The Marriages Between Zones Three, Four, and Five (1980), the study situates Lessing within feminist literary traditions that question patriarchal structures while envisioning alternative futures. Drawing on Simone de Beauvoir, Judith Butler, Luce Irigaray, Bell Hooks, and postcolonial feminist perspectives, the analysis demonstrates how Lessing destabilizes rigid oppositions between masculinity and femininity, opening space for fluid negotiations of identity and authority across planetary landscapes. In doing so, she critiques worldly systems—colonialism, patriarchy, and authoritarianism—while picturing interdependent, reciprocal models of coexistence. This paper ultimately contends that Lessing’s space fiction challenges normative gender ideologies by articulating feminist possibilities within the cosmic realm.