Portrayal of orphans in mainstream hindi films

Art does not exist in a vacuum. Artistic expressions find their genesis in the social concerns of individuals and the community at large. The artist endeavors to establish an emphatic connection with his fellow human beings by giving expression to societal issues that disturb him. The condition of orphans is one such area. It requires the attention of the welfare state, society and art alike, not only because of the need for a humanistic approach but also because of its long term repercussions on society. The sense of abandonment makes these children more vulnerable, socially and psychologically. Institutions like orphanages provide succor to such children but their role and whether they are able to heal the wounds fully is a matter of debate. Many experts feel that institutionalized children develop behavioural disorders, which are not present if they get family care and support. Hindi films have also taken up cudgels on behalf of many peripheral groups, and orphans are one of them. In mainstream Hindi cinema like Dosti, Bootpolish, Brahmchari, Mr. India and many others have depicted the problems of institutionalized children and their emotional turmoil's in different ways. The fate of orphans in Hindi films, however, is generally quite predictable, representing themes of petty crime or helping other such deprived children. Rarely has a mainstream Hindi film delved deep into the general existence of this orphan group, nor have they endeavoured to find effective solutions towards making these children respected and responsible citizens. Since mainstream Hindi cinema has been a vehicle for the projection of many social causes, children should also be a centre of focus with an emphatic portrayal of their situation.