Assistant Professor, Dept. Of Humanities, MITS, Madanapalle, Andhra Pradesh, India
Online published on 21 November, 2013.
Indian English fiction has always been responsive to the changes in material reality and theoretical perspectives that have impacted and governed its study since the time of its inception. Indian English literature originated as a necessary outcome of the introduction of English education in India under colonial rule. The interplay of a variety of material and philosophical developments marks a discernible shift in the nature and study of Indian English fiction. Consequently, Indian English fictional scene has become variegated, complex and thematically richer. The writers settled abroad and the ones who divide their time between India and abroad have contributed much to this rapidly developing sub-genre of English literature. Now Indian English literature no longer remains limited to the writings necessarily of the sons of the soil. It has broadened the scope of fictional concerns of these writers from purely Indian to the global and transnational. Today Indian English as well as Indian writing in English has got its own identity. A number of recent Indian novelists have produced significant novels, making a mark in the literary world. Ruskin Bond is the acclaimed author of over five hundred novellas, stories, essays and poetry, all of which has established him as one of the Indias most beloved writers. India gets an exquisite reflection in his stores. This is not the sole point to entertain. His approach to his child characters, their activities, desire, feeling, and he like win our favour. Ruskin Bond is thus, in no way inferior to any of his contemporaries. His works are neither ambiguous nor theoretical. As a very simple and ordinary man he shares with us the most intimate moments of his life and lives of those he has come in close contact with.
Fiction, global, contemporary, themes, identity