The relationship of Isfahan architecture and music (Safavi)

Persian classical music, including instruments, melodies, and songs, thousands of years BC to the present day oral course of the text people have, and what pleasent, was simpler and more understandable is available today. Seven rows of Persian traditional music are: Shur, S·hgah device, the device Chahargah, Homayoun, Mahur, Nava, Rastpanjgah device. Music of the Safavi period to the next is considered to be the capital of Isfahan under Shah Abbas I actually became a great center of art of the same concentration, caused a fresh mental blowing in the body of the city's music has been.

A close relationship and mutual relationship of architecture and music, the visual aspect of this relationship and conceptual aspects of the review and attention. The appearance of elements such as rhythm and rest can be considered the main character and reveal how beautiful the architecture of the music that is ingrained. Other aspects (conceptual) be elements such as unity, a common pattern in the spatial hierarchy of musical architecture and examine how beautiful these aspects are closely linked, and shows the architecture of the music. Finally, the acoustic two Safavi period were studied with renowned building science, structural and architectural design of the two materials that are used in audio and music has been made. The school is seen as the architect of the school of music emerged.